If you’ve ever set foot in a traditional sewing class or watched The Great British Sewing Bee in any length, you’ll be all too familiar with straight lines, neat curves and clean corners. The manual dexterity earned from years of traditional sewing, is without a doubt, exceptionally valuable. However, free-machine embroidery is here to challenge this completely, asking you to become a rebellious sewist.
A three hour class dedicated to the art of free-machine embroidery, encapsulating all of the creative freedom I could ask for, seemed a perfect way to spend a Saturday. I knew I had to sign up.
A trip to V V Rouleaux in Bath, aka haberdashery heaven to you and I, provided the perfect opportunity to do just that.
The class itself was held in a perfectly exuberant workroom, adjoined to the haberdashery. All of the tools awaited, as did our lovely workshop facilitator, Poppy.
After receiving basic, but without a doubt, incredibly useful instructions on how to operate our sewing machines, we stretched calico over our embroidery hoops and began our first practice pieces. The words ‘be careful of your fingers – keep them away from the needle and foot’, and ‘if you ever hurt yourself, seek medical attention,’ may have contributed to a steep blood pressure rise at this point, however, suffice to say, all participants left injury free.
After a few needle breakages, bobbin adjustments and foot-to-hoop collisions, my confidence grew. I began to find the process of free-machine embroidery highly relaxing, almost meditative. We were given the opportunity of drawing onto the calico with the use of erasable pens prior to stitching, but I quite happily used the sewing needle for mark making throughout this stage.
After gaining some confidence with the process, the last hour of the workshop focussed on appliqué. This involved cutting shapes from a selection of beautifully patterned fabrics, and free-machining them onto our final piece. After cutting out a variety of shapes, in my case, flowers, we used fusible webbing to fix them on to our fabric.
Towards the end of the session, we were encouraged to collectively place our work on a nearby table. Everyone present was able to produce something charmingly unique, whilst leaving the workshop with a brand new skill.
Often in my day-to-day work when I am illustrating on Adobe software, I’m focussing on small details, ensuring everything has a smooth, immaculate finish, in keeping with my style. The fluidness of free-motion embroidery, contradictory to this rigid working process, made it even more appealing.
I would definitely recommend this course to any local embroidery enthusiasts, like myself, looking to acquire a new skill in a fabulously creative, vibrant setting. Go on, you certainly won’t be disappointed.